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Blocked Vs. Random Practice, With Drills For Hurdlers
Bret Otte & Van Zanic, Geneva College
Blocked practice sessions concentrate on one aspect of technique, practicing it over and over again until you get it right. Random practices employ several aspects of technique within a session. There is value and a time and place for both, as the authors explain. Though they direct the article toward hurdlers, and provide dozens of hurdle drills, the blocked vs. random concepts apply to all events.
HOW DO WE LEARN NEW SKILLS AND RELEARN AND REFINE PREVIOUSLY LEARNED SKILLS?
This is the daily and yearly challenges that face motivated and task-driven
athletes and coaches. The science of motor learning has made large inroads into
unraveling the mysteries of the mind-body connection. In fact, scientists are
discovering that instead of separate parts, a human should be considered a
complicated, holistic matrix.
Learning and relearning skills can be frustrating,
challenging and fun. How athletes and coaches construct and approach the
practice can make each learning opportunity one of the best practices of the
season---or a practice to forget.....quickly. So how can we construct a good
training session?
We should consider the two main types of practice structures
and make some decisions about design based on the age and experience and
psychological make-up of the athlete in question. The two main types of
skill-based practices are blocked and random designs.
A blocked practice is defined as practicing the same drill
until the movement becomes automatic. This would make intuitive sense as
athletes and coaches want movement to be on autopilot once the movement has been
initiated.
The random practice design does not follow the order of the
movement. Drills for the skill are mixed up throughout the practice and, within
extreme examples of random practices, the same drill or movement is not repeated
throughout the session.
In both controlled experiments and within the practical
setting of a practice session, random practices are proven to be superior to
blocked practices with regard to retention of learning and better performance
over time. However, the random practice design does not lend itself to better
performance compared to the blocked design on the day of practice. In other
words, the athlete and coach will notice poorer initial practice performance
within the practice setting. However, the athlete will perform the skills more
effectively in the next practice session compared to the blocked design. So the
adage "Short term pain for long term gain" seems to hold true for the random
practice design, while "Short term gain for long term pain" seems to be true for
the blocked practice design.
WHY DOES THE RANDOM PRACTICE DESIGN WORK?
The success of the random design stems from the Elaboration Hypothesis and the
spacing of movement: the Forgetting Hypothesis. The Elaboration Hypothesis
states that when a learner performs a series of separate skills in a random
order, the learner begins to recognize the distinctive nature of each skill. By
understanding and feeling how each movement was distinctive, the learner is able
to store the movement more effectively within long-term memory.
An example of the Forgetting Hypothesis is when a
learner is practicing a specific drill or movement that focuses on that
particular task. When using a different drill, the learner performs a separate
movement and will temporarily forget about the previously rehearsed movement. If
the learner is asked to go back and perform the first drill, he/she must
reconstruct that movement. The act of reconstruction stimulates the brain
activity to conjure up the sequence necessary to perform the movements for the
drill. The Forgetting Hypothesis is a complicated matter of setting parameters
of effort and time that most coaches would call rhythm. The Forgetting
Hypothesis uses the act of retrieval and setting parameters of the movement as a
tool for learning and performing.
WHEN AND HOW DO YOU CONSTRUCT A RANDOM PRACTICE?
Early in the learning stages, it is best to use the blocked practice plan.
Psychologically you want the athlete to feel like he has accomplished something
when he leaves practice. A random practice can be confusing and frustrating to a
person new to an event or the sport of track and field without making practices
harder through randomizing movements and drills.
When the learner has hit the more automatic stages of
learning the random practice is a valuable tool. Practice is not the same old
thing done day after day. Each day is new and challenging; in fact, each minute
of each practice is new and challenging. We like to use the random practice
extensively within each practice. This can be more effective when trying to
break bad habits that have crept in due to previous coaching or inattentive
learners rehearsing something wrong over and over again.
Athletes get excited about the changes each day and must
focus more in order to learn. They also begin to see long-term results and
improved performances, which in turn enhances intrinsic motivation.
HOW DO YOU CONSTRUCT A RANDOM PRACTICE?
It's best to use a few variations of the random practice design.
Variation #1---Use a number of drills to rehearse the
same movement or skill within the event and then change to a different movement
and different drills. The drills are not done in the skill sequence of
performance.
Example: Lead Leg of Hurdling-" A" drill, "B" drill,
Marching Lead-Leg Drill, Calvesi Drill, Skipping Lead-Leg drill, Skipping
Lead-Leg drill with 5-stride pattern. Do each drill once per set and randomize
the order within the set or incorporate new drills as practice moves along.
Variation #2---Pick three movements or skills and
randomly practice each skill with different drills. The drills are not done in
the skill sequence of performance.
Example: Skipping over side of the hurdle with trail
leg, Skipping over side of hurdle with 3-skip rhythm using only trail leg,
One-stride hurdling with trail only, Calvesi drill, Sprint in three-stride
pattern through hoops or over cones.
Variation #3---Mix up the movements and skills of the
entire event, never repeating a drill throughout the entire practice.
Example: The sky is the limit for this variation. You
can use any drill at any time. Keep moving from drill to drill in rapid fashion.
This variation should be used only for athletes who are fairly advanced in their
learning of the event.
Example: Skipping over hurdles in a 3-stride pattern,
Sprint over 11 hurdles at full or discounted (in from competition marks and down
from full height), Sprint in 3-stride rhythm over 30 cm (cones at 3.5-4 meters
apart), Wall Attacks (place hurdle along a wall and perform high" A" drill and
hand attack). Add more drills to use the time you have for practice.
This form of practice is fun and exciting for both coach and
athlete as it pushes both parties to think and react in a practice setting. You
will need a fairly extensive menu of drills and the confidence to enter a
practice that is open-ended. A random practice is much like a blank canvas. You
may have an idea of what you are about to paint but until you start, you are
never sure how the painting is going to take shape.
Random practice will mean no more redundant practice plans or
dull repetition of drills in a sequence. Variety is the spice of life and random
practice is like hot curry compared to the vanilla of blocked practice that was
recycled from last year at about the same point in the season for the same event
for the same athlete. Have fun and enjoy and have a cool beverage ready because
these practices are hot!
In order to help with organizing drills with regard to
difficulty I have put together a menu of hurdle drills collected from a variety
of sources.



FROM: TRACK COACH 176

13 September 2009 - Thessaloniki, Greece - That Valerie Vili would win the Shot Put final edition of the IAAF / VTB World Athletics Final wasn?t a particularly major surprise. That she would do so in such dominating fashion, to cap a season which began in February, certainly was.
13 September 2009 - Thessaloniki, Greece - Usain Bolt ended his season with a time of 19.68 seconds in the 200m of what was the final ever edition of the IAAF/VTB Bank World Athletics Final.
13 September 2009 - Thessaloniki, Greece - Carmelita Jeter was arguably the most impressive winner as action concluded on day two at the seventh and final edition of the IAAF/VTB Bank World Athletics Final here in Thessaloniki.
Ryan Braithwaite once again showed a convinving performance to take the win at the IAAF/VTB Bank World Athletics Final. The 21 year-old surprise World Champion confirmed that Berlin was not a coincidence.
Carmelita Jeter was arguably the most impressive winner as action concluded on day two at the seventh and final edition of the IAAF/VTB Bank World Athletics Final here in Thessaloniki.